Space and Place Research Hub is organising a symposium and a book launch on the 18th of May 2018.
At the event, we will discuss inhabiting and moving through spaces and places. We demarcate arrivals and departures as time-based experiences of those notions at domestic, urban and geopolitical scales. We will explore the politics and poetics of a range of arrivals and departures; from navigating cityscapes, to migration and border crossings. We are also open to considerations of disciplinary boundaries and movements. As a hub, we are interested in how design as a field of practice and research can interrogate the world we live in.
Detailed programme about the event can be found here: https://www.eventbrite.com/e/space-and-place-research-hub-presents-arrivals-and-departures-symposium-tickets-45470871601
Register via Eventbrite if you want to attend. PLEASE NOTE: If you are ONLY attending the Cartographic Abstraction in Contemporary Art book launch and not the day’s symposium – please do not use this registration page but rsvp instead to firstname.lastname@example.org and email@example.com
More about the book launch and the author can be found here:
Claire Reddleman is an academic and photographic artist who gained her PhD in cultural studies from Goldsmiths, University of London. Her book ‘Cartographic Abstraction in Contemporary Art: Seeing with Maps’ is published by Routledge and introduces the theoretical innovation ‘cartographic abstraction’ – a material modality of thought and experience that is produced through cartographic techniques of depiction. Reddleman closely engages with selected contemporary artworks (by artists Joyce Kozloff, Layla Curtis, James Bridle, Trevor Paglen and Bill Fontana) and theories in each chapter. Reconfiguring the Foucauldian underpinning of critical cartography towards a materialist theory of abstraction, cartographic viewpoints are theorised as concrete abstractions. This research is positioned at the intersection of art theory, critical cartography and materialist philosophy.
Claire is currently a postdoc researcher on the AHRC-funded project ‘Postcards from the Bagne’, led by Sophie Fuggle at Nottingham Trent University. This project engages with the legacies of the former penal colonies in French Guiana and New Caledonia, and includes taking a cartographic approach to understanding the multiple sites belonging to the penal colony and the connections both historical and contemporary between these sites. The research is also interested in how these sites are ‘imagined’ cartographically within the context of historical travel writing and journalism and as part of an emerging global penal tourism.
Also speaking will be Layla Curtis, whose work ‘Antipodes’ is discussed in ‘Cartographic Abstraction in Contemporary Art: Seeing with Maps’. Layla Curtis is an artist whose practice has a focus on place, landscape and mapping. Her multi-form work examines the attempts we make to chart the earth, how we locate ourselves, navigate space and represent terrain.
Layla Curtis will discuss her mobile phone app Trespass. Trespass provides users with an oral history of Freeman’s Wood; an area of edgeland situated on the outskirts of Lancaster, England that has been used for decades by local people for recreation. The land is currently owned by an offshore property company who recently erected a metal fence around the plot, barring locals from entering under threat of breaking trespass laws.
The app uses geo-location to identify where users are in relation to the boundary of Freeman’s Wood and uses geo-fencing technology to restrict access to most of the audio content. Access to all thirteen audio tracks is only granted if the listener chooses to trespass, crossing both the physical fence, and the app’s virtual geo-fence, into Freeman’s Wood. Trespass was commissioned by StoreyG2 as part of Landed (Freeman’s Wood). App is developed by Ron Herrema.
CALL FOR SUBMISSIONS
Another Land is an exhibition and events programme exploring experimental visualisations of place in art and design practice, jointly hosted by Kingston Museum and the Stanley Picker Gallery, taking place in Spring 2019.
Submissions are sought from postgraduate practice-based researchers and early stage researchers at Kingston University, the Royal College of Art and University of the Arts London. Artists, designers and practitioners across disciplines are encouraged to apply. Work might address (but not be limited to) contested sites, fictive and real spaces, narratives, identity, power & representation, new & established technologies, and social and public engagement. Work that connects to place-based disciplines including (but not limited to) anthropology, archaeology, geography, landscape architecture and museum studies is also welcomed.
Another Land aims to generate discussion and compare methods, knowledge and communication in the visualisation of place. The exhibition and associated events seek to trace and show both process and outcome, so please describe how a methodology or process informs the work in your submission.
We are particularly interested to hear from practitioners who would like to contribute an event (workshop, talk, performance) to Kingston Museum and/or the Stanley Picker Gallery. Consideration will also be given to projects that have potential to align with themes and concerns of the collections held at Kingston Museum:
Museum collections and exhibitions | The Royal Borough of …
Landing page for Museum collections and exhibitions. Ancient Origins. The Royal Borough of Kingston Upon Thames has a rich archaeological heritage.
Please provide a description of the project (150 words max) along with 3 images and/or moving image (max 1 min). If submitting moving image, please upload to Vimeo (or other host) and include a web link in your submission.
Email submissions to firstname.lastname@example.org
Deadline: Monday 21st May, 12pm midnight.
Exhibition and events period April – June 2019
This project is a collaboration between the London Doctoral Design Centre (LDoC), Kingston School of Art, the Stanley Picker Gallery and Kingston Museum.
We aim to inform applicants of our decision by early June.
Royal College of Art
The LCC Space and Place research hub invites proposals for our forthcoming symposium taking place on the 18th May. The theme of the symposium is Arrivals and Departures.
We are interested in inhabiting and moving through spaces and places. We demarcate arrivals and departures as time-based experiences of those notions at domestic, urban and geopolitical scales. We want to explore the politics and poetics of a range of arrivals and departures; from navigating cityscapes, to migration and border crossings.
Mark Auge famously described the transitory spaces of arrivals and departures as ‘non-places’ (1995), however many understandings of place critique his theory by considering place in a more relational and less static sense. In this call for papers we ask how can design intervene in these debates around transitory spaces through research into our designed environments and interventions in practice.
Discussions about arrivals and departures are also open to considerations of disciplinary boundaries and movements. As a hub, we are interested in how design as a field of practice and research can interrogate the world we live in. How can we think through disciplinary travels within and outside of design? What are the points of departure and where has design arrived as a field of research?
We also invite proposals relating to design pedagogies, particularly around understandings of design education as a journey or transition. How do our students arrive at design and what is our role as educators in this journey?
We invite presentation proposals from a variety of scholars and practitioners. This symposium is intended as the starting point for a broader conversation that will lead to a publication. Those submitting proposals are encouraged to consider how the presentation could be developed for it. With a broad focus on design research, proposals may address, but are not limited to:
- Practices of investigating spaces through movement
- Migratory places and border spaces
- Navigatory and transitory systems in urban space
- Cityscapes in transition
- Arrivals and departures within intimate or domestic architectures
- In between public and private space
- Disciplinary border crossings within and beyond design
- Design education as a transitory space
- Design practice in spaces of transition
The event will be accompanied by the book launch of Claire Reddleman’s book Cartographic Abstraction in Contemporary Art: Seeing with Maps published by Routledge.
In this book, Claire Reddleman introduces her theoretical innovation “cartographic abstraction” – a material modality of thought and experience that is produced through cartographic techniques of depiction. Reddleman closely engages with selected artworks (by contemporary artists such as Joyce Kozloff, Layla Curtis, and Bill Fontana) and theories in each chapter. Reconfiguring the Foucauldian underpinning of critical cartography towards a materialist theory of abstraction, cartographic viewpoints are theorised as concrete abstractions. This research is positioned at the intersection of art theory, critical cartography and materialist philosophy.